The " andante " section is not written as a separate movement, but as the second part of the opening movement, following immediately after a double barline at measure 118.
12.
The courtesy signature that appears at the end of a line immediately before a change is usually preceded by an additional barline; often the line at the very end of the staff is omitted in this case.
13.
If both naturals and a new key signature appear at a key signature change, there are also more recently variations about where a barline will be placed ( in the case where the change occurs between bars ).
14.
Stems for half notes face the opposite of the usual direction and the dots for dotted notes are placed farther away than is customarily normal, except for dotted half notes crossing the barline which are presented as is now customary.
15.
He was a master of dissonance, odd rhythmic groupings, and " over the barline " phrases, yet always resolving his ideas according to the form and harmonic structure of a given composition while adhering to the conventions of jazz improvisation and simultaneously creating new ones.
16.
More confusingly, the coda of the minuet has the annotation " Fine II " under its final barline, while the ending of the first go-round at the minuet is labelled " Fine I " even though it is also supposed to be played in the da capo.
17.
Another possibility is to extend the barline where a time change is to take place above the top instrument's line in a score and to write the time signature there, and there only, saving the ink and effort that would have been spent writing it in each instrument's staff.
18.
At one time it was usual to precede the new signature with a double barline ( provided the change occurred between bars and not inside a bar ), even if it was not required by the structure of the music to mark sections within the movement; but more recently it has increasingly become usual to use just a single barline.
19.
At one time it was usual to precede the new signature with a double barline ( provided the change occurred between bars and not inside a bar ), even if it was not required by the structure of the music to mark sections within the movement; but more recently it has increasingly become usual to use just a single barline.
20.
Sometimes the final double barline, and any barlines marked with repeat signs, also pass through both hands, but this is not consistent even in the same publication ( see for example Xinbian Guzheng Jiaocheng ISBN 7-5359-2188-4 pages 108 and 138, where they do and do not pass through both hands respectively ).
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