His large-scale work, " I, Norton, " is an opera based on the life of Emperor Norton, which combines improvisation, graphic scores, game pieces, and fully notated scores.
12.
In between, he drew on more recent composers, especially John Cage ( in a couple of graphic scores of 1962 ) and Pierre Boulez, and contributed a lot himself to the exploration of new orchestral sonorities.
13.
However, graphic scores allowed the performer more freedom, and each performer made each composition's performance unique and particular, as the performer alone must make important decision when attempting to understand and to realize the composition.
14.
For " White Elephant ", a collaboration between these three parties, he created a graphic score as " a kind of'space opera'- in the form of an imaginary space mission outside our galaxy in the year 9050.
15.
Recent projects of note include Gr�pat, a two-year project in which Walshe assumed nine different alter egos all members of art collective Gr�pat and created compositions, installations, graphic scores, films, photography, sculptures and fashion under these alter egos.
16.
It was described by reviewers as a " frighteningly frantic " and " challenging " piece . " X-ist " uses a graphic score and includes written directions to the players that act as " creative stimuli ", containing notes and motifs to be followed.
17.
In the Spring of 1966, the group officially launched the "'Composer / Performer Edition "'imprint with the idea of publishing a catalog of graphic scores and avantgarde music related material by composers they felt close to, like Frederic Rzewski, Cornelius Cardew, Allan Bryant, or Jon Phetteplace of Musica Elettronica Viva.
18.
There was also a performance by Norwegian female electro / instrumental improv group SPUNK and Birmingham sound arts activists Dreams of Tall Buildings performing the first graphic score in 40 years by Fluxus artist and founder of the band Restoration " competition, saw over 600 people attend a day of site-specific happenings that utilised the spaces and acoustics of the listed building with a programme of performances and installations.
19.
These influences also enriched her writing for acoustic instruments as in " Study of the Object no V " ( 1970 ) for unaccompanied voices, a graphic score she calls sound sculpture, " Mestra " ( 1979 80 ) for solo flutes and " Hunting Horns are Memories " ( 1977 ) for horn and tape for which she worked out quarter tone fingerings for the F / B flat double horn.
20.
The performer combines the squares and uses lines and points as a coordinate system, in which the lines are axes of various characteristics of the sounds, such as lowest frequency, simplest overtone structure, etc . Some of Cage's graphic scores ( e . g . " Concert for Piano and Orchestra ", " Fontana Mix " ( both 1958 ) ) present the performer with similar difficulties.
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