As well as the versions of " Morceau de Genre ", he has written " 312-SL / 723 " ( 1978 ) for two accordions, and in 1980 wrote a concerto for the instrument.
12.
With his final admission into the Acad�mie, the new member had to present his fellow academicians a " morceau de r�ception ", a painting or sculpture that demonstrated his learning, intelligence, and proficiency in his art.
13.
Among his accomplishments is a complete edition of the trumpet works of the Classical era and modern works; Mauricio Kagel dedicated works to him in 1971, including " Morceau de concours ", for trumpeter and electronic tape.
14.
C'est vraiment merveilleux de suivre le travail de ces multiples machines-outils qui semblent don�es d'intelligence, et de voir sortir d'un morceau informe une pi�ce finie, avec une pr�cision math�mathique et pr�te ?�tre mise en place.
15.
In 1727, he first showed at the Paris Salon and in 1728 he was received as a member of the Acad�mie royal de peinture et de sculpture, with a " Hercule et Omphale " as his " morceau de reception ".
16.
The most important of his paintings were his morceau de r�ception, the " Fox among the Chickens " ( San Francisco, California Palace of the Legion of Honor ), " The Dairymaid " ( Paris, Mus�e Cognacq-Jay ).
17.
When the bell is completely covered ( stopped ), the pitch falls to a half-step above the next lower four Horn Concertos, Concert Rondo and Morceau de Concert were written with this technique in mind, as was the music both Beethoven and Brahms wrote for the horn.
18.
The composer made many attempts to find an appropriate title " Grand solo ", " Grand Concert ", " Morceau de Concert ", " Concerto sans Orchestre ", etc . indicating that this work was an experiment with new forms.
19.
He showed his work at the Salon de la Correspondance, Paris, before being admitted ( " agr�� " ) to the Acad�mie Royale de Peinture et de Sculpture in 1785, when a portrait of the painter Gabriel Fran�ois Doyen, was his " morceau de r�ception ".
20.
Camille Saint-Sa�ns did not write a concerto as such, but did compose two Romances for horn ( or cello ) and orchestra, Op . 67 in E major ( 1866 ), and Op . 36 in F major ( 1874 ), and a " Morceau de concert"
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