In addition, context always has an influence on responses about color and the notion of color harmony, and this concept is also influenced by temporal factors ( such as changing trends ) and perceptual factors ( such as simultaneous contrast ) which may impinge on human response to color.
12.
Belongingness theory only explains why rectangle A looks darker than rectangle B and does not discuss why the gray area on rectangle A looks darker than in rectangle B; secondly, when talking about the background, Belongingness theory appears quite the same as simultaneous contrast theory, they just use different names.
13.
If one object is extreme on some dimension, then neighboring objects are perceived as further away from that extreme . " Simultaneous contrast effect " is the term used when stimuli are presented at the same time, whereas " successive contrast " applies when stimuli are presented one after another.
14.
Chevreul realized It was the eye, and not the dye, that had the greatest influence on color, and from this, he revolutionized color theory by grasping what came to be called the law of simultaneous contrast : that colors mutually influence one another when juxtaposed, each imposing its own complementary color on the other.
15.
When a test pattern is displayed that contains areas with different luminance and / or chromaticity ( e . g . a checkerboard pattern ), and an observer sees the different areas simultaneously, the apparent contrast is called " concurrent contrast " ( the term " simultaneous contrast " is already taken for a different effect ).
16.
These results are supported also by further experiments on temporal limits of brightness induction in simultaneous contrast ( De Valois, Webster " et al . " 1986; Rossi and Paradiso 1996; Rossi, Rittenhouse " et al . " 1996 ), as well as by a similar experiment performed by Motoyoshi ( 1999 ) on filling-in of texture.
17.
The instrument is performed by changing the color areas . [ . . . ] By using such an arrangement, the chromaccord becomes a tool for exploring the visual experience of continually changing sequential and simultaneous contrasts . " As a performer of the chromaccord, he has often collaborated with musicians and sound artists, including Ian Nagoski, John Berndt, Neil Feather, Jorge Martins, and Andrew Hayleck.
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