In 1979 he was assistant professor at the University of Music and Performing Arts Vienna, and in 1999 was appointed to the chair of musical acoustics, the first such chair in Austria.
22.
In 1962 the Institute came under the administration of the newly created Prussian Cultural Heritage Foundation, and the Department for Musical Acoustics was established in 1965 through a grant from the Fritz Thyssen Foundation.
23.
The invention goes back to John Herschel, who proposed a division of the octave into 1000 parts, which was published ( with appropriate credit to Herschel ) in George Biddell Airy's book on musical acoustics.
24.
"' Lamberto Tronchin "'( born 27 March 1964, Preganziol ) is an Italian acoustician, engineer, theorist, musician and professor of musical acoustics and environmental physics at the University of Bologna . _ _ NOTOC __
25.
Applications of acoustics are found in almost all aspects of modern society, subdisciplines include aeroacoustics, audio signal processing, architectural acoustics, bioacoustics, electro-acoustics, environmental noise, musical acoustics, noise control, psychoacoustics, speech, ultrasound, underwater acoustics, and vibration.
26.
Further, not only would they have a real stage with professional stage lighting and great musical acoustics, for the first time they would be guaranteed to be paid a remuneration whether the show was a success nor not.
27.
In Germany, Ms . Saariaho became acquainted with the work of Gerard Grisey and Tristan Murail, the standard-bearers of Ircam, the pioneering center for research and training in musical acoustics, electronics and computer technology in Paris, founded by Boulez in 1976.
28.
In 1979 Gregor Widholm was invited to establish the Institut f�r Wiener Klangstil ( IWK ), as an institute of applied research in the field of musical acoustics with a focus, in particular, on the Viennese playing tradition, and on support for players and instrument makers.
29.
The goal of this system was to provide tools for music educators to use in the development of instructional materials, which might possibly include music dictation drills, automatically graded keyboard performances, envelope and timbre ear-training, interactive examples or labs in musical acoustics, and composition and theory exercises with immediate feedback.
30.
It really is that simple . ( See Musical Acoustics . ) Third on the list of factors that make the 16th century so important was the Renaissance desire to tell a story, to put people up on a small stage and have them sing songs about Greek mythology the tale of Orpheus, for example.
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