The chapa , or apsidal structure which has an apsidal roof and a series of finials along the horizontal part is generally called the hastiprishtha , or gajaprishtha , since it resembles the hind view of a standing elephant . चाप या अर्धव? sa pr ek AQa-vaR
22.
The chapa , or apsidal structure which has an apsidal roof and a series of finials along the horizontal part is generally called the hastiprishtha , or gajaprishtha , since it resembles the hind view of a standing elephant . चाप या अर्धवsa pr ek AQa-vaR
23.
The real check to this danger can only come through a wise industrial policy which instead of concentrating industries in a few big cities disperses them over the countryside and helps to develop villages into industrial towns of moderate size . इस खतरें की सही रोक बुद्धिमsa ? \भाष्; qaana pr , ga ` amaINa xao~aoM maoM ivakoMid ` t kr do AaOr gaaMvaao kao maQa ? \भाष्; yama djao- ko AaOV ? igak nagaraoM ko $p maoM ivakisat krnao maoM sahaya%aa kroM .
24.
Among the popular folk theatre forms are Bhagat , Kariyada , Banthada and Haranyattar , Bhagat , Kariyada and Banthada , these three art forms are the same all over the region and have only minor regional variations which are peripheral . सऋ-ऊण्श्छ्ष्-थानीय लोकनाट्यों में भगत , करियाडऋआ या करियाला , बांठडऋआ तथ हरणयाsa ? \भाष्; va$p maoM sava-~ samaana hO.xao~Iya p ` BaavaaoM ko karNa [namaoM kuC AMtr lagato hO jaao ba ` a*ma hOM .
25.
A survivor par excellence , Singh served as special assistant -LRB- SA -RRB- to the late L.N . Mishra when he was in charge of the Ministry of Foreign Trade -LRB- later renamed Commerce Ministry -RRB- . सिंह दिवंगत ललित नारायण मिश्र के विशेष सहायक ( एसए ) के रूप में काम कर चुके हैं , जो उन दिनों विदेश व्यापार मंत्रालय ( बाद में इसका नाम वाणिज्य मंत्रालय रख दिया गया ) का जिमा संभाल रहे थे .
26.
It combines the asking of a question for answer with supplementaries and short comments in which all points of view are expressed concisely and precisely , and the government has adequate opportunity to state its case . इसमें उsa ? \भाष्; pYa ? \भाष्; Ttyaa va ? \भाष्; yak ? \भाष्; t ike jaato hOM AaOr sarkar kao ApnaI baat khnao ka pyaa-p ? \भाष्; t Avasar imala%aa hO .
27.
Among the well known wall-paintings the paintings at the palaces , forts and temples in Chamba , Mandi , Kangra , Kullu and Bilaspur regions deserve special mention . संसऋ-ऊण्श्छ्ष्-कारों तथा व्रत , अनुषऋ-ऊण्श्छ्ष्-ठान आदि पर सऋ-ऊण्श्छ्ष्-त्रियों द्वारा भी भ्ळिsa ? \भाष्; qaanaaoM pr banao rajaBavanaaoM , iklaaoM tqaa maMidraoM maoM banao ica~ ]llao#anaIya hOM .
28.
The Hindus do not strictly follow the same line , but also take into account the various positions of one star with reference to the other , Whether the Hindus have twenty-seven or twenty-eight lunar stations e.g . one star 's standing in opposition or in the zenith of another . हिनऋ-ऊण्श्छ्ष्-दुओं के नक्षत्र स? sa hO yaa AT \भाष्; za ? sa ihna ? \भाष्; dU zIk [saI pwi%a ka AnausarNa nahIM krto bailk vao ek %aark kI ivaiBana ? \भाष्; na isqai%ayaaoM pr dUsaro %aark ko saMdBa- maoM ivacaar krto hOM , Aqaa-t ek %aark ko dUsaro ko saamanao yaa ]sako }pr rhnao kI isqai%a ka BaI Qa ? \भाष्; yaana r#ato hO .
29.
The Hindus do not strictly follow the same line , but also take into account the various positions of one star with reference to the other , Whether the Hindus have twenty-seven or twenty-eight lunar stations e.g . one star 's standing in opposition or in the zenith of another . हिनऋ-ऊण्श्छ्ष्-दुओं के नक्षत्र सsa hO yaa AT \भाष्; za ? sa ihna ? \भाष्; dU zIk [saI pwi%a ka AnausarNa nahIM krto bailk vao ek %aark kI ivaiBana ? \भाष्; na isqai%ayaaoM pr dUsaro %aark ko saMdBa- maoM ivacaar krto hOM , Aqaa-t ek %aark ko dUsaro ko saamanao yaa ]sako }pr rhnao kI isqai%a ka BaI Qa ? \भाष्; yaana r#ato hO .
30.
The Hindus do not strictly follow the same line , but also take into account the various positions of one star with reference to the other , Whether the Hindus have twenty-seven or twenty-eight lunar stations e.g . one star 's standing in opposition or in the zenith of another . हिनऋ-ऊण्श्छ्ष्-दुओं के नक्षत्र स? sa ihna ? \भाष्; dU zIk [saI pwi%a ka AnausarNa nahIM krto bailk vao ek %aark kI ivaiBana ? \भाष्; na isqai%ayaaoM pr dUsaro %aark ko saMdBa- maoM ivacaar krto hOM , Aqaa-t ek %aark ko dUsaro ko saamanao yaa ]sako }pr rhnao kI isqai%a ka BaI Qa ? \भाष्; yaana r#ato hO .
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