21. In the original score, the B is written as a sixteenth note while the A is a whole note. 22. The clarinet gets a chance to play the sixteenth notes that the piano had before the modulation to E major. 23. Borland also made use of unevenly accented syncopated sixteenth notes and hypnotic, droning licks to create a disorienting effect. 24. The Preludio demands advanced bowing technique and consists almost entirely of semiquavers ( i . e . sixteenth notes ). 25. After the first violin states the theme, the cello takes over with a long rippling line of sixteenth notes . 26. This starts section B, which consists mainly of pulsating low notes with slow sixteenth notes with the right hand. 27. The second movement is a short and violent scherzo with syncopated rhythms and endlessly furious semiquaver ( sixteenth note ) passages. 28. This leads into the fast section, which features many fast and aggressive arpeggios, and quick and relentless sixteenth notes . 29. Borland has also made use of unevenly accented syncopated sixteenth notes to create a disorienting effect, and hypnotic, droning licks. 30. A flourish of ascending slur-separate sixteenth notes , punctuated by a resolute D from the violin and orchestra concludes the concerto.
