They were not widely available outside France, and as the company failed to keep pace with the introduction of stereophonic recording its catalogue went out of print during the 1960s.
22.
In February 1954, RCA made its first commercial stereophonic recordings, taping the Boston Symphony Orchestra, conducted by Charles M�nch, in a performance of " The Damnation of Faust " by Hector Berlioz.
23.
After General Electric's Pallophotophone fell out of use in the early 1930s, optical multi-track recording did not have a resurgence for nearly three decades when high fidelity and stereophonic recordings became available commercially.
24.
New recordings of the Variations were later made following the introduction of the long playing record in the early 1950s, and after the introduction of stereophonic recording towards the end of the decade.
25.
A stereo microphone is often used for broadcast applications or field recording where it would be impractical to configure two separate condenser microphones in a classic X-Y configuration ( see microphone practice ) for stereophonic recording.
26.
Despite the drawbacks, Kingsway became the most sought-after recording venue for orchestral music in England because of its central location and excellent acoustics, particularly in the 1950s and 1960s, when companies were converting from monaural to stereophonic recordings.
27.
Coinciding with the dawn of stereophonic recording, the Willcocks era was generously represented on long-playing records, and this new London " Double Decker " ( two CDs for the price of one ) samples releases from 1959 to 1965.
28.
In March 1954, Fritz Reiner made the first stereophonic recordings with the CSO, again in Orchestra Hall, for RCA Victor, including performances of two symphonic poems by Richard Strauss : " Ein Heldenleben " and " Also sprach Zarathustra ".
29.
Described by BBC Radio 3 as " one of the great British musical directors ", Alwyn is known for his many recordings, including with the London Symphony Orchestra on Decca s first stereophonic recording of Tchaikovsky s " 1812 Overture ".
30.
For the gramophone, Grund�n recorded the role of Danilo for Decca in the first stereophonic recording of " The Merry Widow ", produced in 1958 by John Culshaw, with Hilde Gueden, Waldemar Kmentt and Emmy Loose and the Vienna Philharmonic Orchestra conducted by Robert Stolz.
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