Similarly, in 1971, Alistair Campbell stated that the apologue technique used in " Beowulf " is so rare in epic poetry aside from Virgil that the poet who composed " Beowulf " could not have written the poem in such a manner without first coming across Virgil's writings.
32.
An "'apologue "'or "'apolog "'( from the Greek ???????, a " statement " or " account " ) is a brief fable or allegorical story with pointed or exaggerated details, meant to serve as a pleasant vehicle for a moral doctrine or to convey a useful lesson without stating it explicitly.
33.
His last work of importance was " Syntaxe nouvelle de la langue Chinoise fond�e sur la position des mots, suivie de deux trait�s sur les particules et les principaux termes de grammaire, d'une table des idiotismes, de fables, de l�gendes et d'apologues " ( 1869 ), for many years the standard grammar for the Chinese language.
34.
Ana Francisca Abarca de Bolea's poetry is found within a miscellaneous book titled " Vigilia y Octaverio de San Juan Bautista " ( Zaragoza, 1679 ), which also combines a short novel, or apologue ( " La ventura en la desdicha " ), and a novel ( " El fin bueno en mal principio " ).
35.
He rates Alfred the Great beside Charlemagne as a man of letters : " Alfred endeavoured to convey his morality by apologues, parables, stories, apophthegms, couched in poetry; and besides propagating among his subjects, former compositions of that kind, which he found in the Saxon tongue, he exercised his genius in inventing works of a like nature, as well as in translating from the Greek the elegant fables of Aesop.
36.
Don Juan Manuel naturalizes the Eastern apologue in Spain, and by the laconic picturesqueness of his expression imports a new quality into Spanish prose which attains its full development in the hands of Juan de Vald�s and Calder�n in " La Vida es sue�o ", and by Jos?de Ca�izares in " Don Juan de Espina en Mil�n "; there is an evident, though remote, relation between the tale of the " mancebo que cas?con una mujer muy fuerte y muy brava " and " The Taming of the Shrew "; and a more direct connexion exists between some of Don Juan Manuel's " enxemplos " and some of Hans Christian Andersen's fairy tales.
37.
A parable is equally an ingenious tale intended to correct manners, but it can be " true " in the sense that " when this kind of actual event happens among men, this is what it means and this is how we should think about it ", while an apologue, with its introduction of animals and plants, to which it lends ideas, language and emotions, contains only metaphoric truth : " when this kind of situation exists anywhere in the world, here is an interesting truth about it . " The parable reaches heights to which the apologue cannot aspire, for the points in which animals and nature present analogies to man are principally those of his lower nature ( hunger, desire, pain, fear, etc . ), and the lessons taught by the apologue seldom therefore reach beyond prudential morality ( keep yourself safe, find ease where you can, plan for the future, don't misbehave or you'll eventually be caught and punished ), whereas the parable aims at representing the relations between man and existence or higher powers ( know your role in the universe, behave well towards all you encounter, kindness and respect are of higher value than cruelty and slander ).
38.
A parable is equally an ingenious tale intended to correct manners, but it can be " true " in the sense that " when this kind of actual event happens among men, this is what it means and this is how we should think about it ", while an apologue, with its introduction of animals and plants, to which it lends ideas, language and emotions, contains only metaphoric truth : " when this kind of situation exists anywhere in the world, here is an interesting truth about it . " The parable reaches heights to which the apologue cannot aspire, for the points in which animals and nature present analogies to man are principally those of his lower nature ( hunger, desire, pain, fear, etc . ), and the lessons taught by the apologue seldom therefore reach beyond prudential morality ( keep yourself safe, find ease where you can, plan for the future, don't misbehave or you'll eventually be caught and punished ), whereas the parable aims at representing the relations between man and existence or higher powers ( know your role in the universe, behave well towards all you encounter, kindness and respect are of higher value than cruelty and slander ).
39.
A parable is equally an ingenious tale intended to correct manners, but it can be " true " in the sense that " when this kind of actual event happens among men, this is what it means and this is how we should think about it ", while an apologue, with its introduction of animals and plants, to which it lends ideas, language and emotions, contains only metaphoric truth : " when this kind of situation exists anywhere in the world, here is an interesting truth about it . " The parable reaches heights to which the apologue cannot aspire, for the points in which animals and nature present analogies to man are principally those of his lower nature ( hunger, desire, pain, fear, etc . ), and the lessons taught by the apologue seldom therefore reach beyond prudential morality ( keep yourself safe, find ease where you can, plan for the future, don't misbehave or you'll eventually be caught and punished ), whereas the parable aims at representing the relations between man and existence or higher powers ( know your role in the universe, behave well towards all you encounter, kindness and respect are of higher value than cruelty and slander ).
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