Also do note that cool daylight CFLs ( and flourescents ) with colour temparatures of around 6500K ( lower are available if that's too high for you ) are already vastly ( IMHO and also based on colour temperatures ) more similar to bright daylight then the yellow gloom and are available now ( and in fact were the earliest flourescents I believe ) talk ) 01 : 08, 20 April 2009 ( UTC)
32.
An interesting thing of course is that flourescents ( not necessarily CFLs ) have already taken significant hold in a number of Asian countries, whether this is because of the difference in colour temperature preferences ( since I believe most early flourescents had a fairly high colour temperature ) or is partly the cause of the different preference of a combination of both I don't know . talk ) 01 : 08, 20 April 2009 ( UTC)
33.
An interesting thing of course is that flourescents ( not necessarily CFLs ) have already taken significant hold in a number of Asian countries, whether this is because of the difference in colour temperature preferences ( since I believe most early flourescents had a fairly high colour temperature ) or is partly the cause of the different preference of a combination of both I don't know . talk ) 01 : 08, 20 April 2009 ( UTC)
34.
Additive versus subtractive, impure inks and toners, the fact that you are printing in four colours ( Cyan, Magenta, Yellow and Black ) instead of three, that the printer needs to use dithering and bleeding of inks to do what it does, that the brightness of your screen is independent of the room lighting-but the brightness and hue of your print is entirely dependent on the colour of the ambient lighting-that the software that does the conversion is rarely correctly set up for the kind of paper you are using-that the gamma of cameras and screens are NEVER correctly set up, that not all programs take notice of the gamma values that the camera put into the file header-and if you save the picture out in another format, that information is almost certainly lost, that our eyes respond differently to a pigment that reflects yellow ( meaning a true yellow ) versus a seemingly identical pigment that reflects both red and green, that your CRT probably has several different colour temperature settings and you have no clue which one you picked . . . there are a million reasons.
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