31. Even Romains decided that the Right Bank theatres were more hospitable to his work after Copeau rejected one of his plays. 32. In effect Copeau at first tried to re-establish the school of the Vieux-Colombier in this new context. 33. Again Dullin showed his talent for character creation and Copeau too took a major role bringing to the text an inspired interpretation. 34. Upon his return to Paris, Copeau needed a period of rest and reflection, but certain pressing tasks demanded his time. 35. With some of his actors and young apprentices in tow, Copeau moved to the Burgundy countryside to begin a new project. 36. Most of the google hits I get are for the French translations she made with Jacques Copeau of Shakespeare's plays. 37. He studied the nuances of French theatre under Copeau , and he became exposed to performances of Beaumarchais through Copeau s productions. 38. With the men of the troupe called up for duty, including Copeau , there remained no choice but to close the theatre. 39. But Copeau was made aware that he needed to bow somewhat to popular taste if the Vieux-Colombier was to succeed financially. 40. In 1922 and 1923 Evreinov visited Berlin and Paris where his plays were produced by the likes of Jacques Copeau and Charles Dullin.
