Arguably not a modern double sharp, but Benedetto Marcello's " La stravaganza " ( SF A321 ) uses the modern " x "-like symbol on B's and E's repeatedly ( see for example p . 5 onwards; the top staff is in the soprano clef ).
32.
Neal Zaslaw printed a reconstruction of this " orchestral draft ", stating that the draft contained internal inconsistencies and errors and that the reconstruction was based on the assumption that Mozart was hearing the piece in G minor and B major, but could not write it correctly as he had not yet learned some necessary aspects of musical notation, such as double sharps.
33.
If D-sharp minor must absolutely be used, one should take care that B-flat wind instruments be notated in F minor, rather than E-sharp minor ( or A instruments used instead, giving a transposed key of F-sharp minor ), and E-flat instruments in C minor instead of B-sharp minor, in order to avoid double sharps in key signatures.
34.
I am aware that on the stave, sometimes circumstances dictate which notes are used for ease of reading, sometimes so much that double sharps and flats have to be used, I'm asking really if I were to compose a tune and announce to musicians that it was in A #, if they'd all laugh . talk ) 16 : 05, 14 March 2010 ( UTC)
35.
To give a practical example where a major key including a double sharp is used : Chopin's Mazurka, opus 6 no . 2, has a short passage which is effectively written in G sharp major; that is, eight sharps ( everything sharp plus F double sharp ); he chose to write it like this rather than in the more common A flat major ( four flats ) because the surrounding sections are in C sharp minor ( four sharps ) and he uses G sharp as a pivot note between the two keys; switching from sharps to flats and then back again would have lacked a certain logic and ( I think ) have made the music quite a bit harder to read.
36.
To give a practical example where a major key including a double sharp is used : Chopin's Mazurka, opus 6 no . 2, has a short passage which is effectively written in G sharp major; that is, eight sharps ( everything sharp plus F double sharp ); he chose to write it like this rather than in the more common A flat major ( four flats ) because the surrounding sections are in C sharp minor ( four sharps ) and he uses G sharp as a pivot note between the two keys; switching from sharps to flats and then back again would have lacked a certain logic and ( I think ) have made the music quite a bit harder to read.
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