After the premiere of his quarter-tone opera " Matka " ( Mother ) in 1931, introducing a practically athematic concept, H�ba emerged as a leader of Czech modernist music and became internationally well known as one of the most important avantgarde composers.
42.
In addition, most PIE sets of endings are found in some form in Tocharian ( although with significant innovations ), including thematic and athematic endings, primary ( non-past ) and secondary ( past ) endings, active and mediopassive endings, and perfect endings.
43.
There is one verb ( * " dMn "'to do') that is in a category of its own, based on an Indo-European " athematic " form, and having a " weak " preterite but a " strong " passive participle.
44.
The most extreme allomorphy of all came from the third person singular of the " "-subjunctive because an athematic person marker " " was used, added directly onto the verbal stem ( formed by adding " " directly onto the root ).
45.
A distinction is traditionally made between the so-called " athematic " verbs ( also called mi-verbs ), with endings affixed directly to the root, and the " thematic " class of verbs which present a " thematic " vowel or before the ending.
46.
For several reasons, athematic forms are thought to be older, and the thematic vowel was likely an innovation of late PIE : Athematic paradigms ( inflection patterns ) are more " irregular ", exhibiting accent, while the thematic paradigms can be seen as a simplification or regularisation of verbal and nominal grammar.
47.
For several reasons, athematic forms are thought to be older, and the thematic vowel was likely an innovation of late PIE : Athematic paradigms ( inflection patterns ) are more " irregular ", exhibiting accent, while the thematic paradigms can be seen as a simplification or regularisation of verbal and nominal grammar.
48.
All three of the previously mentioned groups of verbs strong, weak and preterite-present are derived from PIE thematic verbs; an additional very small group derives from PIE athematic verbs, and one verb " * wiljan " " to want " forms its present indicative from the PIE optative mood.
49.
Hauer " detested all art that expressed ideas, programmes or feelings, " instead believing that it was " essential . . . to raise music to its highest . . . level, " a, " purely spiritual, supersensual music composed according to impersonal rules, " and many of his compositions reflect this in their direct, often athematic,'cerebral'approach.
50.
In all three cases, the likely trigger was the phonological reduction of clusters like *-ss, *-st that arose when the original athematic endings were attached to the sigmatic *-s-affix . ) A new synthetic imperfect was created by attaching a combination of the root and productive aorist endings to a stem suffix *-a-or *-aa-, of disputed origin.
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