In a different vein, he sang Caliban in the baroque pasticcio " The Enchanted Island " at the Met in 2011 He returned to the Met in 2015 as Leporello in the company's production of " Don Giovanni ".
42.
His performances in London in the season of 1770-71 included a " pasticcio " version of Gluck's " Orfeo ", with additional music by Johann Christian Bach, Pietro Antonio Guglielmi, and one aria arranged by Guadagni himself.
43.
Operatic settings of the play include those by Castil-Blaze ( a pasticcio using music of Rossini, Weber, and others; 1826 ), Alberto Franchetti ( " Il signore di Pourceaugnac "; 1897 ), and Frank Martin ( 1962 ).
44.
By 1825, Stevenson had composed a large quantity of church music amounting to twenty-six anthems and eight service settings, not to mention chants, double chants, hymns and the oratorio " The Thanksgiving ", a " pasticcio " from several of his other anthems.
45.
Since a reliable differentiation between the handwriting of the master and the pupil was only done in the early 21st century, older scholarship generally attributes the realisation of the Pasticcio to Altnickol and / or indicates Altnickol as the composer of the movements that can not be attributed to other composers.
46.
Movements 2 31 and 33 of Graun's Passion cantata " Ein L�mmlein geht und tr�gt die Schuld ", GraunWV B : VII : 4, reappear in the pasticcio as movements 3 18, 21 23, 25 26, 28 29, 31 37 and 41.
47.
The collection of works by composers from Saxony, Thuringia and Saxony-Anhalt started with a Passion cantata as a pasticcio of Altnickol, Graun, Kuhnau and Telemann in 1997, and includes Gottfried Heinrich St�lzel's Christmas cantatas ( 2007 ) and the Bockes-Passion ( 2011 ).
48.
His first documented pasticcio, " Sieg der Sch�nheit �ber die Helden " ( Triumph of Beauty over the Heroes ), premiered at the Royal Prussian court in December 1706, clebratring the marriage of the crown prince, future king Frederick William I, and princess Sophia Dorothea of Hanover.
49.
The authentification of manuscripts, he argues, is " a matter for musicology, not gut feelings . " He insists that " Andromeda " is a pasticcio, a collective work by many hands, and that Vivaldi's part in it was small : perhaps no more than that one aria.
50.
He came to London in 1725 and sang in " Elisa, " an anonymous opera, and in " Elpidia, " by Leonardo Vinci and others, a pasticcio given by George Frideric Handel, in which Antinori took the place of Borosini, who sang in it at first.
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