41. Theodor Adorno identifies this scherzo as the model for the scherzos by Anton Bruckner. 42. Theodor Adorno identifies this scherzo as the model for the scherzos by Anton Bruckner. 43. The closing scherzo is almost identical to the opening scherzo, but without repeats. 44. The closing scherzo is almost identical to the opening scherzo , but without repeats. 45. He did, writing a trio for the Scherzo and reorchestrating the whole work. 46. Wiley writes that Tchaikovsky composed the scherzo first. 47. The third movement is a scherzo and trio. 48. The middle section is functionally similar to the trio of a standard scherzo form. 49. The fourth, Allegretto scherzando, is a very quick scherzo -like movement. 50. The third movement is in ternary form, consisting of a scherzo and trio.
