Louis Ratisbonne's most important work was a verse translation of the " La Divina Commedia " ( " The Divine Comedy " ), in which the original is rendered tercet by tercet into French . " L'Enfer " ( 1852 ) was crowned by the Academy; " Le Purgatoire " ( 1857 ) and " Le Paradis " 1859 ) received the prix Bordin.
42.
Louis Ratisbonne's most important work was a verse translation of the " La Divina Commedia " ( " The Divine Comedy " ), in which the original is rendered tercet by tercet into French . " L'Enfer " ( 1852 ) was crowned by the Academy; " Le Purgatoire " ( 1857 ) and " Le Paradis " 1859 ) received the prix Bordin.
43.
Although the supplicatory format ('eleyson'/'have mercy') has been retained, the Kyrie in this troped format adopts a distinctly Trinitarian cast with a tercet address to the Holy Spirit which is not present in the standard Kyrie . " Deus creator omnium " is thus a fine example of the literary and doctrinal sophistication of some of the tropes used in the Latin rite and its derived uses in the medi�val period.
44.
Other types of tercet include an enclosed tercet where the lines rhyme in an " a b a " pattern and terza rima where the " a b a " pattern of a verse is continued in the next verse by making the outer lines of the next stanza rhyme with the central line of the preceding stanza, " b c b ", as in the " terza rima " or " terzina " form of Dante Alighieri's Divine Comedy.
45.
Other types of tercet include an enclosed tercet where the lines rhyme in an " a b a " pattern and terza rima where the " a b a " pattern of a verse is continued in the next verse by making the outer lines of the next stanza rhyme with the central line of the preceding stanza, " b c b ", as in the " terza rima " or " terzina " form of Dante Alighieri's Divine Comedy.
46.
It was at that time that Moraes forsook his older form-free verse and blank verse poetry-in favour of an apparently old-fashioned poetical programme based on respect for traditional forms and extreme metrical accuracy, by excelling onwards in the handling of the rhymed, metrified sonnet, both on the Italian mode generally used in Portuguese-language poetry ( two quatrains, two tercets ) as well as on the English mode ( three quartains and a couplet, printed " en bloc " ).
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