In order to provide a saxotromba with a chromatic compass from the second harmonic upwards, it is essential to provide the player with some means of lowering the pitch of the third harmonic by as many as six semitones, this being the size of the gap between the second and third harmonics.
42.
In order to provide a half-tube saxtuba with a chromatic compass from the second harmonic upwards, it is essential to provide the player with some means of lowering the pitch of the third harmonic by as many as six semitones, this being the size of the gap between the second and third harmonics.
43.
In order to provide a half-tube saxtuba with a chromatic compass from the second harmonic upwards, it is essential to provide the player with some means of lowering the pitch of the third harmonic by as many as six semitones, this being the size of the gap between the second and third harmonics.
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