colour temperature sentence in Hindi
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- White LED MR lamps can be manufactured with different colour temperatures, normally ranging from warm whites, attempting to match the colour of halogens, all the way through to cool whites at 5500 K or more.
- "' Amber shift "'is a phenomenon of incandescent lamps in which the perceived warmth ( or colour temperature ) of the light sources changes as larger amounts of electric current flow through it.
- From what I can tell from my searches, the latter is simply taking into account the colour temperature of the light from the sun, e . g . if you have a ray shining into your room.
- Scandium and sodium are used in some types, thallium, indium and sodium in European " Tri-Salt " models, and more recent types use dysprosium for high colour temperature, tin for lower colour temperature.
- Scandium and sodium are used in some types, thallium, indium and sodium in European " Tri-Salt " models, and more recent types use dysprosium for high colour temperature, tin for lower colour temperature.
- For example, everything else being equal, cool coloured fluorescents ( cool daylight for example ) generally have better colour rendition ( see colour rendition index ) then warm ones . ( The phosphors uses makes a big difference however whatever the colour temperatures ).
- The inner walls of the tube are coated with a thin layer of fluorescent substances, which, when they are excited by the 253.7 nm line of UV radiation from a mercury arc, emits visible light, usually in the range of 6500K ( daylight ) colour temperature.
- However, the appearance of objects illuminated by that light may vary as the spectrum varies, this is the issue of Colour rendition, quite separate from Colour Temperature, where a really orange or cyan object could appear with the wrong colour and much darker as the LED or phosphor does not emit the wavelength.
- Depending on the type of plant being cultivated, the stage of cultivation ( e . g . the germination / vegetative phase or the flowering / fruiting phase ), and the photoperiod required by the plants, specific ranges of spectrum, luminous efficacy and colour temperature are desirable for use with specific plants and time periods.
- Note also that the Western colour temperature preference is'hotter'( i . e . a lower temperature ) then daylight ( although closer to traditional artificial sources like incandescent light bulbs and fire ) so I would question whether either colour preferences could emperically be called'natural'Nil Einne 11 : 53, 26 June 2007 ( UTC)
- Also do note that cool daylight CFLs ( and flourescents ) with colour temparatures of around 6500K ( lower are available if that's too high for you ) are already vastly ( IMHO and also based on colour temperatures ) more similar to bright daylight then the yellow gloom and are available now ( and in fact were the earliest flourescents I believe ) talk ) 01 : 08, 20 April 2009 ( UTC)
- An interesting thing of course is that flourescents ( not necessarily CFLs ) have already taken significant hold in a number of Asian countries, whether this is because of the difference in colour temperature preferences ( since I believe most early flourescents had a fairly high colour temperature ) or is partly the cause of the different preference of a combination of both I don't know . talk ) 01 : 08, 20 April 2009 ( UTC)
- An interesting thing of course is that flourescents ( not necessarily CFLs ) have already taken significant hold in a number of Asian countries, whether this is because of the difference in colour temperature preferences ( since I believe most early flourescents had a fairly high colour temperature ) or is partly the cause of the different preference of a combination of both I don't know . talk ) 01 : 08, 20 April 2009 ( UTC)
- Additive versus subtractive, impure inks and toners, the fact that you are printing in four colours ( Cyan, Magenta, Yellow and Black ) instead of three, that the printer needs to use dithering and bleeding of inks to do what it does, that the brightness of your screen is independent of the room lighting-but the brightness and hue of your print is entirely dependent on the colour of the ambient lighting-that the software that does the conversion is rarely correctly set up for the kind of paper you are using-that the gamma of cameras and screens are NEVER correctly set up, that not all programs take notice of the gamma values that the camera put into the file header-and if you save the picture out in another format, that information is almost certainly lost, that our eyes respond differently to a pigment that reflects yellow ( meaning a true yellow ) versus a seemingly identical pigment that reflects both red and green, that your CRT probably has several different colour temperature settings and you have no clue which one you picked . . . there are a million reasons.
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