una corda sentence in Hindi
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- In the earliest pianos whose unisons were bichords rather than trichords, the action shifted so that hammers hit a single string, hence the name " una corda ", or'one string '.
- Concerning the Fourth Piano Concerto example, Owen Jander has written, " the " una corda " on [ the type of piano for which Beethoven wrote the concerto ] is hauntingly beautiful and evocative.
- In his combined harpsichord-piano, with two 8-foot strings for each note, Ferrini allowed one set of harpsichord jacks to be disengaged but did not provide a una corda device for the hammer action.
- The repertoire of the chamber ensemble Una Corda ( founded in 2009; kannel Kristi M�hling, harp Liis Viira; harpsichord Ene Nael ) consists of original music and arrangements, with an emphasis on Estonian music.
- Indication that the soft pedal should be used is the instruction " una corda " or sometimes " due corde ", with " tre corde " or sometimes " tutte le corde " cancelling it.
- Beethoven's Broadwood grand, presented as a gift to him from the Broadwood company in 1817, had an una corda pedal and a split damper pedal one half was the damper for the treble strings, the other was for the bass strings.
- In two of the attested pianos, there is a forerunner of the modern soft pedal : the player can manually slide the entire action four millimeters to one side, so that the hammers strike just one of the two strings ( " una corda " ).
- The Erl-king, who is always heard pianissimo, does not sing melodies, but instead delivers insubstantial rising arpeggios that outline a single major chord ( that of the home key ) which sounds simultaneously on the piano in " una corda " tremolo.
- To shift the action from the " una corda " position to the full " tre-corde " position produces only a slight increase in volume; what is exciting is the unfolding of the " timbre " of the instrument ."
- The soft pedal of this time was more effective than today, since it was possible to use it to strike three, two or even just one string per note this is the origin of the name " una corda ", Italian for " one string ".
- In modern pianos, the strings are spaced too closely to permit a true " una corda " effect-if shifted far enough to strike just one string on one note, the hammers would also hit the string of the next note . " See Piano history and musical performance ".
- Member companies of Japan's AMEI developed the General MIDI Level 2 specification in 1999 . GM2 maintains backward compatibility with GM, but increases polyphony to 32 voices, standardizes several controller numbers such as for sostenuto and soft pedal ( " una corda " ), RPNs and Universal System Exclusive Messages, and incorporates the MIDI Tuning Standard.
- The " "'soft pedal " "'( or "'una corda pedal "') is one of the standard grand piano this pedal shifts the whole action including the keyboard slightly to the right, so that hammers which normally strike all three of the strings for a note strike only two of them.
- On early pianos it was possible by use of the soft pedal to play only one, two, or all three strings, making the distinction between " una corda " ( " one string " ) and " due corde " ( " two strings " ) meaningful; but this is no longer the case.
- With NLCC Wood undertook numerous CD recordings, many of which were world premiere recordings : these included music by Eric Bergman ( Chandos ), Lili Boulanger ( Hyperion ), Ruth Crawford Seeger ( Deutsche Grammophon ), Giacinto Scelsi ( Una Corda ), Frank Denyer ( Continuum ), Iannis Xenakis ( Hyperion ) and James Wood himself ( Continuum and NMC ).
- This caused the hammers to strike only one of the strings in its normal trichord and is now generally known as the " una corda " . ( In Cristofori's original design and in the Viennese pianos of the 18th Century, the una corda was operated by a knee lever since many pianos, like harpsichords, were not supplied with a dedicated stand and might be mounted on a convenient chest or cupboard ).
- This caused the hammers to strike only one of the strings in its normal trichord and is now generally known as the " una corda " . ( In Cristofori's original design and in the Viennese pianos of the 18th Century, the una corda was operated by a knee lever since many pianos, like harpsichords, were not supplied with a dedicated stand and might be mounted on a convenient chest or cupboard ).
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