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unity of time sentence in Hindi

"unity of time" meaning in Hindiunity of time in a sentence
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  • In their final conclusions, the Academy ruled that even though Corneille had attempted to remain loyal to the unity of time, " Le Cid " broke too many of the unities to be a valued piece of work.
  • Karina performed, uncredited, in a 1959 soap advertisement that was included near the end of Guy Debord's " On the Passage of a Few Persons Through a Rather Brief Unity of Time " ( fr ).
  • In the early 21st century, Orudzhev has been studying the emergence of man from the animal world ( a problem identified by Nietzsche, only humans possess, as a unity of time that has already passed and a human being s accumulated activities.
  • However, in contrast to the French, English audiences of the 1670s had no enthusiasm for structurally simple comedies or for the unities of time, place, and action, but demanded fast pace, many complications, and above all " variety ".
  • It was an exercise in style; 11 people, nine men, two women, and a mise en sc�ne that followed the unities of time, place, and action, it had a constant concern for the framing of the composition to reinforce an inquisitorial, menacing atmosphere.
  • According to Lodge, the play " originated in the experience of teaching such a course myself-not because its plot bears any resemblance to what happened on that course, but because it struck me that the bare situation possessed the classic dramatic unities of time, place and action.
  • In his 1959 film " On the Passage of a Few Persons Through a Rather Brief Unity of Time ", Debord returned on this topic adding : Knowledge of empirical facts remains abstract and superficial as long as it is not concretized by being related to the whole situation.
  • In a conversation with Richelieu in about 1632, reported by the abb?d'Olivet, Chapelain maintained the importance of maintaining the unities of time, place and action, and it is explicitly stated that the doctrine was new to the cardinal and to the poets who were in his pay.
  • Dedicated to the author's " dear niece, Valentine Surville ", this vivid and incisive novella is constructed like a classical French play, observing the three unities of time ( an hour ), place ( a ball ) and subject ( the seduction of a young woman ).
  • In line with Schlegel, more than with any previous English-language critic ( except Coleridge, who also followed Schlegel ), Hazlitt found " unity " in Shakespeare's plays not in their observing the traditional classical unities of time, place, and action, but in their unity of theme.
  • Voltaire reworked the structure of the play in order to fit the classical model of French drama . " L'Orphelin de la Chine " adheres to the theory of three unities, which codified that dramas should conform to the unity of action, unity of time, and unity of place.
  • No dramatic critic has ever dissented from this " unity of action "; but the unities of time and place were in fact read into the " Poetics " by theoreticians of the New Learning ( Jean de La Taille ) and other writers ( Jean Vauquelin de la Fresnaye and Jean Mairet ).
  • The early years of the century were marked by a revival of classicism and classical-inspired tragedies, often with themes of national sacrifice or patriotic heroism in keeping with the spirit of the Revolution, but the production of Victor Hugo's " dramatic unities of time and place were abolished, tragic and comic elements appeared together and metrical freedom was won.
  • Voltaire praised the Confucian morality of " The Orphan of Zhao ", However, the play was still considered problematic by him as it violated the conventions of the unities of time, action, and place, likening it to some of Shakespeare and Lope de Vega's " monstrous farces " as " nothing but a heap of incredible stories ".
  • Unity of Time : " Talking to Terrorists " involve actual dialogues from actual people that occur in a constant flow of real time, essentially meaning that all of the stories happen in real time, rather than the course of several days, thus creating the impression on the audience that all of the events are unfolding before them in the course of two hours.
  • By contrast to the stage history, in literary criticism there was no lag time, no temporary preference for other dramatists : Shakespeare had a unique position at least from the neo-classical " rules " for the drama and the three classical unities of time, place, and action, those strict rules had never caught on in England, and their sole zealous proponent Thomas Rymer was hardly ever mentioned by influential writers except as an example of narrow dogmatism.
  • They decided upon four key elements for the game : " Unity of time and place ", with the game taking place over twenty-four hours within the palace of Azad; " Acrobatics ", referring to the gameplay and how the setting was constructed around this concept; " Combat ", with the palace being filled with monsters to give the game and story a fast-paced feeling; and " Rewind ", the ability to turn back and manipulate time.
  • As nothing is essential to the fable, but unity of action, and as the unities of time and place arise evidently from false assumptions, and, by circumscribing the extent of the drama, lessen its variety, I cannot think it much to be lamented, that they were not known by him, or not observed : Nor, if such another poet could arise, should I very vehemently reproach him, that his first act passed at Venice, and his next in Cyprus.
  • �tienne Jodelle's " Cl�op�tre captive " ( 1553 ) & mdash; which tells the impassioned fears and doubts of Cleopatra contemplating suicide & mdash; has the distinction of being the first original French play to follow Horace's classical precepts on structure ( the play is in five acts and respects more or less the unities of time, place and action ) and is extremely close to the ancient model : the prologue is introduced by a shade, there is a classical chorus which comments on the action and talks directly to the characters, and the tragic ending is described by a messenger.
  • Pug has not done well through all these developments : beaten, manipulated, and generally abused, he ends up confined to Newgate Prison at the end of the day . ( Jonson, true to the Aristotelian unities of time and place, stages all this action in a single day . ) Pug appeals to Satan to take him back to Hell with whatever punishment the lord of the underworld chooses for nothing in hell compares " to a lady of fashion . " Satan, triumphant in his prediction that 1616 London was more than Pug could handle, arrives to spirit Pug away, blasting a wall out of Newgate in the process, and leaving the thief's body behind.
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