cithara sentence in Hindi
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- He was an Editor in Chief or Co-Author of many magazines and editions, like " Bulletin of the Institute for Linguistics of Faculty of Philosophy ", " Bulletin scientifique ", " Works of Institute for Slavic Philology ", " Croatian Dialectology Collection ", " Language ", " Old Croatian Writers ", " Works of Croatian Academy of Science and Arts ", " Pauline Collection ", " Senj Glagolitic circle 1248-1508 ", " " Cithara octochorda " ".
- That the evolution should take place within the Byzantine Empire or in Syria would be quite consistent with the traditions of the Greeks and their veneration for the cithara, which would lead them to adapt the neck and other improvements to it, rather than adopt the rebab, the tanbur or the barbiton from the Persians or Arabians . . . The transitions whereby the cithara acquired a neck and became a guitar are shown in the miniatures of a single MS ., the celebrated Utrecht Psalter, which gave rise to so many discussions.
- That the evolution should take place within the Byzantine Empire or in Syria would be quite consistent with the traditions of the Greeks and their veneration for the cithara, which would lead them to adapt the neck and other improvements to it, rather than adopt the rebab, the tanbur or the barbiton from the Persians or Arabians . . . The transitions whereby the cithara acquired a neck and became a guitar are shown in the miniatures of a single MS ., the celebrated Utrecht Psalter, which gave rise to so many discussions.
- Both types were common in Europe until the 14th century, some played with a bow, others twanged by the fingers, and bearing indifferently both names, cithara and rotta . . . . The addition of a finger-board, stretching like a short neck from body to transverse bar, leaving on each side of the finger-board space for the hand to pass through in order to stop the strings, produced the crwth or crowd ( q . v . ), and brought about the reduction in the number of the strings to three or four.
- From the rotta article : " " . . . The rotta represents the first step in the evolution of the cithara, when arms and cross-bar were replaced by a frame joined to the body, the strings being usually restricted to eight or less . . . The next step was the addition of a finger-board and the consequent reduction of the strings to three or four, since each string was now capable of producing several notes . . . As soon as the neck was added to the guitar-shaped body, the instrument ceased to be a rotta and became a guitar ( q . v . ), or a guitar-fiddle ( q . v . ) if played with the bow . ""
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