There are also references to some five course gitterns in the 16th century.
2.
Most gitterns were depicted as having three or ( more commonly ) four courses of double strings.
3.
The gittern often appeared during the 14th to early 15th century in the inventories of several courts.
4.
Unlike the lute, most pegboxes on gitterns ended in a carving of a human or animal head.
5.
Galpin was one of many researchers of his time that mixed up the name gittern and citole in his research.
6.
As a result of this uncertainty, many modern sources refer to gitterns as mandoras, and to citoles as gitterns.
7.
As a result of this uncertainty, many modern sources refer to gitterns as mandoras, and to citoles as gitterns.
8.
These have similar shapes, a short neck, and like the gittern are carved out of a single block of wood.
9.
The gittern had faded so completely from memory in England that identifying the instrument proved problematic for 20th century early music scholarship.
10.
As a consequence, what is now believed to be the only known surviving medieval citole was until recently labelled a gittern.
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