In October 1937, Graham wrote in a British magazine that Shirley was a " complete totsy " and " [ h ] er admirers & mdash; middle-aged men and clergymen & mdash; respond to her dubious coquetry, to the sight of her well-shaped and desirable little body, packed with enormous vitality, only because the safety curtain of story and dialogue drops between their intelligence and their desire . " The studio and Temple s parents sued and won.
42.
Greene's 1937 film review of " Wee Willie Winkie ", for " Night and Day " which said that the nine-year-old star, Shirley Temple, displayed " a dubious coquetry " which appealed to " middle-aged men and clergymen " provoked Twentieth Century Fox successfully to sue for ?, 500 plus costs, which resulted in the magazine folding, and Greene leaving the UK to live in Mexico until after the trial was over.
43.
Later, Armand submitted that from an individualist perspective, nothing was reprehensible about making " love " even if one did not have very strong feelings for one's partner . " The camaraderie amoureuse thesis entails a free contract of association ( that may be annulled without notice, following prior agreement ) reached between anarchist individualists of different genders, adhering to the necessary standards of sexual hygiene, with a view toward protecting the other parties to the contract from certain risks of the amorous experience, such as rejection, rupture, exclusivism, possessiveness, unicity, coquetry, whims, indifference, flirtatiousness, disregard for others, and prostitution ."
44.
In whatever belonged to his own, that is, learning and the ecclesiastical calling, he was rather less versed . & In other respects he was wholly occupied with his own ambition, without friendship, without gratitude, without any feeling except for himself; false, lax, indifferent to the means of success; without restraint from God or man, but always with a cloak of delicacy which gave him dupes; above all, a libertine, more from facility, coquetry, ambition, than from natural debauchery; so that while the heart was false and the soul not upright, his judgment was nil, his actions erroneous, his mind inaccurate, which, in spite of the most gracious and deceptive exterior, caused the failure in his hands of every enterprise intrusted to him.
45.
A sort of hermaphroditic code word, or " senhan, " scholar Meg Bogin writes, the multiple meanings behind this term allowed a covert form of flattery : " By refusing to disclose his lady's name, the troubadour permitted every woman in the audience, notably the patron's wife, to think that it was she; then, besides making her the object of a secret passion it was " always " covert romance by making her his lord he flashed her an aggrandized image of herself : she was more than'just'a woman; she was a man . " These points of multiple meaning and ambiguity facilitated a " coquetry of class ", allowing the male troubadours to use the images of women as a means to gain social status with other men, but simultaneously, Bogin suggests, voiced deeper longings for the audience : " In this way, the sexual expressed the social and the social the sexual; and in the poetry of courtly love the static hierarchy of feudalism was uprooted and transformed to express a world of motion and transformation ."
46.
Later Armand submitted that from an individualist perspective nothing was reprehensible about making " love ", even if one did not have very strong feelings for one's partner . " The camaraderie amoureuse thesis ", he explained, " entails a free contract of association ( that may be annulled without notice, following prior agreement ) reached between anarchist individualists of different genders, adhering to the necessary standards of sexual hygiene, with a view toward protecting the other parties to the contract from certain risks of the amorous experience, such as rejection, rupture, exclusivism, possessiveness, unicity, coquetry, whims, indifference, flirtatiousness, disregard for others, and prostitution . " He also published " Le Combat contre la jalousie et le sexualisme r�volutionnaire " ( 1926 ), followed over the years by " Ce que nous entendons par libert?de l'amour " ( 1928 ), " La Camaraderie amoureuse ou chiennerie sexuelle " ( 1930 ), and, finally, " La R�volution sexuelle et la camaraderie amoureuse " ( 1934 ), a book of nearly 350 pages comprising most of his writings on sexuality.
47.
Sir Charles Dilke, in a review of the collection of letters in the " Athenaeum ", calls the book the greatest impeachment of a woman s sense of womanly delicacy to be found in the history of literature . Louise Imogen Guiney remarked in 1890 that Fanny was vain and shallow, she was almost a child; the gods denied her the seeing eye, and made her unaware . Seventy years after the poet s death, most of us are soberly thankful that he escaped betimes from his own heart s desire, and his worst impending peril, Mrs . Keats . Richard Le Gallienne wrote that it is certainly a particularly ironical paradox that the lady irritatingly associated with ( Keats ) name should be the least congruous of all the many commonplace women transfigured by the genius they could not understand, and the love of which they were not worthy . . . . Fame, that loves to humour its poets, has consented to glorify the names of many unimportant poor relations of genius, but there has never been a more significant name upon its lips than the name of Fanny Brawne . . . . One writes so, remembering . . . the tortures to which she subjected a noble spirit with her dancing-class coquetries .
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